Ahh, birthdays. We’ve come up with some pretty interesting customs in this country to celebrate them… The cake and candles gig, the balloons and gifts, and of course the greeting cards. It’s one more area of American culture that I wish I knew more about – there must be some reason someone decided to stick candles in a birthday cake – or bake one in the first place, for that matter. Rarely do these things enter the popular vernacular solely out of practicality or aesthetics, so there’s got to be a story.
Guess that’s what Wikipedia is for, but I digress…
For my stepmom’s birthday this past week, we decided to skip the cake and candes, and go for ice cream and music instead. After a delicious dinner at Camille’s, followed by an out-and-out sinful dessert at Coldstone Creamery, we piled into Kelly’s Vue and headed up to the Eastan School of Music (well, more accurately, the Eastman Theater) and enjoyed a positively breathtaking concert put on by the Eastman Philharmonia.
I can’t say enough good things about the music at the Eastman school. Kelly and I have attended experienced at least a dozen concerts there since we met in 2001, and each time we go our enjoyment grows. Every time I sit in the Eastman theater and listen to some of the country’s most talented music students perform, it makes me want to come back sooner and sooner. In our case, the Philharmonia’s concert was spectacular. They played three pieces totalling about 90 minutes’ worth of music, and there wasn’t a single note that wasn’t perfectly rendered or didn’t have a presence all its own.
For those not fortunate enough to attend, here are links to Amazon, where you can buy DRM-free copies of each piece they played:
Wagner, Tristan and Isolde Prelude & Liebestod
Brahms, Symphony No. 3
First movement
Second movement
Third movement
Fourth movement
The capstone of the evening, though, was the Mozart concerto played between the Wagner and the Brahms. Though her name escapes me, and the concert program is presently riding around in Kelly’s purse, the young pianist was positively amazing. She played the theater’s beautiful Steinway grand without sheet music, and without batting an eye. While she was precise, she played with feeling – and whether it be by extensive rehearsing or extraordinary perception on the part of the conductor, the orchestra managed to track her expression with every note. While a recording certainly pales in comparison to the goosebumps that she surely imparted on many in the small audience Wednesday night, you can find the piece here:
Mozart, Concerto for Piano & Orchestra No. 21 in C Major, K.467:
First movement
Second movement
Third movement

Classical music is a lot like red wine – a glassfull a day is good for the heart. If I could wake up every morning to the music we heard this past Wednesday night, I’m sure my heart would fare just fine.